Нешто ми се чини да ћу овако и ја ...


Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.

Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.








Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.



Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.






Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Worthy of Chaplin!!!, 31 March 2003
Author: margot martindale (myrna_loy71) from Boston, MA
Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.


Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.







Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.
Doba posle ekološke katastrofe.
Neznanac je namerio da poseti pre-apokaliptični Muzej lociran na-ostrvu-usred-novonastalog-mora. Ono nešto preostalih ljudi pozatvarani su u kuće na čijim prozorima dan i noć gore vatre kao zaštita od najezde mutanata. Konc logori (Rezervat) prepuni mutanata...
...a film prepun filozofskih pitanja o istini, bogu, đavolu, smislu života, žrtvovanju i fanatizmu, ali u ovom kontekstu to ne smeta.
Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.


Ловац на јелене : Молим Брате, нисам пандур, срећом.










Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Gruz 200 caused quite a stir upon its release in Russia and it is easy to understand why. The director of popular features such as Voyna (War) and Pro urodov i lyudey (Of Freaks and Men) here goes overboard for a tale so dark and explicit that even what at first sight appears to be a happy ending actually arrives with an evil and sadistic grin. Perhaps it says something about the human condition, but as the Russian outcry might indicate, it is doubtful a lot of people will want to hear it, much less pay for it to see it.
The film is set during the war with Afghanistan in 1984 but takes place entirely in Russia, in a dreary industrial regional in and around Leninisk. Artem (Leonid Gromov) is a professor of "scientific atheism" whose car breaks down one night when on his way to his mother in Leninisk. He asks for help at a nearby cottage on the heath owned by the god-fearing Aleksei (Aleksei Serebryakov) and his practical wife Tonya (Natalya Akimova), who sell grain spirits.
Unbeknownst to Artem, not much after his serious conversation about the impossibility of both the existence of God or one’s soul with Aleksei and his subsequent departure, his possible future in-law Valera (Leonid Bichevin) shows up at the same cottage to buy some more booze after a night of heavy drinking. With him he brings Angelika (Agniya Kuznetsova), a friend of his girlfriend and the daughter of a highly placed Soviet official.
Their stay at the cottage starts a chain of events that will impact the lives of all in a dramatic way, with the evil and sadistic Captain Zhurov (Aleksei Poluyan) at the heart of the whirlpool of shocking deeds that follow, though all characters are at least partly to blame. At best, characters are reluctant cowards, but most of them are worse. A lot worse.
The film’s shocking final third contains some apocalyptic scenes set in the bedroom of Zhurov. These scenes give the words "torture porn" its two original meanings back and then combines them to disturbing effect. Zhurov’s stone-drunk mother (Valentina Andryukova) apathetically continues to watch Soviet television as her son lives out his absurd fantasies in the adjacent room, likely mirroring the stupor some audience members might find themselves in when watching Gruz 200. Perhaps apathy is the best remedy. Pass the vodka!
Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.



Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.


Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.Ovaj deo poruke je sakriven za goste, molimo Vas da se ulogujete kako biste videli kompletnu poruku.


