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[dameski]

Rendez-vous (1985)




Nina is the young lady friend of timid Paulot. Though she intends to be true to him, she falls in love with his roommate Quentin, a thoroughly self-centered actor who performs in live sex shows. After a torrid affair with Nina, Quentin dies under questionable circumstances. Nina's search for answers to Quentin's sudden death leads her to Scrutzler, the theatre director who'd once cast Quentin in Romeo and Juliet. Scrutzler has likewise suffered a terrible loss in his life: his Juliet was also his daughter, who also died unexpectedly. Apparently, it was the daughter's death that led to Quentin's demise. On impulse, Scrutzler casts the inexperienced Nina as Juliet - and before long, both unhappy souls find a common emotional ground.

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[dameski]

De l'amour (2001)


http://www.imdb.com/title/tt0269138/

Kod: Obeleži sve

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[bokiyu]

La Scoumoune (1972) - José Giovanni



Rating: 6.4/10
Runtime: 101 mins
Language: English dubbed (Originally French)
Country: France | Italy
Color: Color (Eastmancolor)

Cast:
Jean-Paul Belmondo ... Roberto Borgo
Claudia Cardinale ... Georgia Saratov
Michel Constantin ... Xavier Saratov
Enrique Lucero ... The Mexican / Migli
Alain Mottet ... Ficelle
Michel Peyrelon ... L'élégant
Philippe Brizard ... Fanfan
Marie-Claude Mestral ... Prostitute
Aldo Bufi Landi ... Villanova
Gérard Depardieu ... Burglar

Description:
Synopsis:
Roberto Borgo (Jean-Paul Belmondo) leaves Sicily for Marseille, where his childhood friend Xavier (Michel Constantin) has just been condemned to 20 years in prison for a crime he didn't commit. Indeed, local gang leader, Villanova, has framed Xavier. Roberto confronts the mobster and kills him. Later, while helping Xavier's sister (Claudia Cardinale) to fight an American gang of racketeers in a bar-room shoot-out, Roberto survives the gunfight but is arrested and sent to the same prison as his friend Xavier. Both men are prepared to risk anything to regain their freedom ... so they volunteer to clear land mines left from the last war, hoping to receive a pardon.

Review:
Anyone who had previously seen Jean Becker’s 1961 film "Un Nommé la Rocca" could be forgiven for having a strong sense of déjà vu when watching this film. "La Scoumoune" is effectively a re-make of that film, which itself was based on José Giovanni’s own novel "L’Excommunié". The sense of familiarity is compounded by having acting legend Jean-Paul Belmondo playing the same lead character in both films. In contrast to the sanitised earlier adaptation, "La Scoumoune" is far more explicit in its depiction of death and violence, one of the things which makes this the better of the two films.

"La Scoumoune" was Giovanni’s attempt to set the record straight and tell his story in the way he had intended. In contrast to the sanitised earlier adaptation, "La Scoumoune" is far more explicit in its depiction of death and violence, one of the things which makes this the better of the two films.

The film’s main strength lie in its visuals. The photography is of a high standard – particularly the prison and mine-clearing scenes towards the end of the film. In addition, the fight sequences are fast, furious, and very bloody, having a sense of realism that was probably quite daring at the time.
IMDB

Kod: Obeleži sve

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[rest77]

Adorable menteuse (1962) - Michel Deville



Xvid | 1570 Kbps | 640x384 | MP3 192kb/s | 105min | 2CD 702Mb+702 Mb

Rating: 5.9/10
Runtime: 105
Language: French
Country: France
Color: Black and white

Cast:
Marina Vlady (Juliette), Macha Méril (Sophie), Michel Vitold (Antoine), Jean-Marc Bory (Martin), Claude Nicot (Sebastien), Ginette Letondal (Jacky), Jean-Pierre Moulin (Vincent), François Dalou (Thomas), Michael Lonsdale (Policeman), Christian Alers (Single man), Jean-François Calvé (Simon), Jean-Luc Adler (Dancer), Pierre Clémenti (Pierrot)

Description: Juliette is a young woman who just can’t help lying. She lies to her sister, Sophie, to Sophie’s fiancé Martin, and to all the men she attracts with her womanly charms. But when she falls for an older man, a 40-year old lawyer, her reputation as a liar precedes her and she cannot convince him that he really does love him…

Review
This light romantic comedy has the allure and feel of New Wave cinema but appears pretty inconsequential besides the works of the masters such as Truffaut and Godard.
The film alternates between youthful exuberance, passionate romance and dark film policier without being convincing or satisfying in either mode. Still, Marina Vlady is delightful as the compulsive liar who gets hoist by her own mendacious petard and the film makes a valid statement about the nature of human relationships, albeit in a tortuous and muddled way.Source: http://filmsdefrance.com/FDF_Adorable_menteuse_rev.html

English subtitle

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[mardam]

Les âmes fortes (2001)





http://www.imdb.com/title/tt0262942/

Kod: Obeleži sve

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Rar Password: lovermanUK

[rest77]

Les invisibles (2005) - Thierry Jousse



Rating: 6.3/10
Runtime: 82 min
Language: French (English .idx/subs)
Country: France
Color: Color

Cast:
Laurent Lucas ... Bruno
Lio ... Carole Stevens
Michael Lonsdale ... Le gardien
Margot Abascal ... Lisa
Noël Akchoté ... Noël
Jean-Pierre Léonardini ... Monsieur William
Eva Ionesco ... Vanessa
Violetta Sanchez ... La réceptionniste hôtel
Louis-Do de Lencquesaing ... Le physionomiste club échangiste (as Louis-Dominique de Lencquesaing)
Annick Roux ... La femme rousse
Bernard Nissile ... Le maître d'hôtel
Astrid Adverbe ... La voisine de Bruno
Yannick Rivalain ... Le voisin de Bruno
Cécile Adélaïde ... La secrétaire de Carole
David Seys ... Le videur

Description: A budding electronica artist gives up his shot at stardom to pursue a woman from a telephone dating network. Bruno and his longtime friend Noel are electronica artists about to sign with an influential producer when love comes out of nowhere. Attempting to assuage his loneliness by seeking companionship though a telephone dating service, Bruno becomes obsessed with the voice of a woman named Lisa. Shortly after meeting Lisa in a darkened hotel room for a steamy round of lovemaking, the mysterious beauty vanishes as quickly as she first appeared. In the wake of this fleeting encounter, Bruno attempts to assemble the audio fragments of Lisa's voice that he has collected into a song that epitomizes their impossible love. In time, after sleepless nights punctuated by strange characters, Bruno completes his eccentric masterpiece.



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[rest77]

Mon oncle d'Amérique (1980) - Alain Resnais



Rating: 7.8/10 (853 votes)
Runtime: 121 min
Language: French (English subtitles included)
Country: France
Color: Black and White / Color

Cast:
Gérard Depardieu ... René Ragueneau
Nicole Garcia ... Janine Garnier
Roger Pierre ... Jean Le Gall
Nelly Borgeaud ... Arlette Le Gall
Pierre Arditi ... Zambeaux, le représentant de la direction générale à Paris
Gérard Darrieu ... Léon Veestrate
Philippe Laudenbach ... Michel Aubert
Marie Dubois ... Thérèse Ragueneay
Henri Laborit ... Himself
Bernard Malaterre ... Le père de Jean
Laurence Roy ... La mère de Jean
Alexandre Rignault ... Le grand-père de Jean / Jean's Grandfather
Véronique Silver ... La mère de Janine
Jean Lescot ... Le père de Janine
Geneviève Mnich ... La mère de René

Description: Prof. Henri Laborit (played by himself) uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. Rene (Gerard Depardieu) is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine (Nicole Garcia) is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean (Roger-Pierre) is a controversial career-climbing writer/politician at a crossroads in life.



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[rest77]

Un papillon sur l'épaule (1978) - Jacques Deray



Rating: 6.8/10 123 votes
Runtime: 95
Language: French (FR & RU duel)
Country: France
Color: Color (Eastmancolor)

Cast:
Lino Ventura
Claudine Auger
Paul Crauchet
Jean Bouise
Nicole Garcia
Roland Bertin
Xavier Depraz
Dominique Lavanant
José Lifante
Jacques Maury
Laura Betti

Description: This film starts out like a lot of espionage thrillers: an innocent man witnesses a murder and finds himself mixed up in a deadly intrigue of spies and counter-spies. A movie of this sort can easily become infuriatingly complicated or just plain silly. At worst it can be both, as for example Jacques Deray's earlier spy thriller "Avec la peau des autres", which also starred Lino Ventura.

"Un papillon sur l'épaule" works better because it never fully gives up its mystery. We know that something sinister is afoot and we can make some intelligent guesses, but the thing is never spelled out for us. Lino Ventura is like Alice (a paunchy, middle-aged Alice) who tumbles down a rabbit-hole and wakes up in a world that's not quite the same as before, where no-one believes him or can explain what's happening and where innocuous-looking strangers suddenly take on a menacing significance.

The white rabbit of this particular looking-glass world is played by Claudine Auger, a slinky spy who keeps whizzing up in a battered car to dispense gnomic advice and warnings. Paul Crauchet, who acted with Ventura nine years earlier in Melville's "L'Armée des ombres", plays a lunatic in pyjamas with an imaginary talking butterfly on his shoulder and a scarecrow in his bed.

It sounds bizarre and it is, but I liked it. Ventura, who starred in plenty of espionage thrillers in his career, is believable and sympathetic; the Spanish locations are used to great effect; and Jacques Deray's assured direction feeds the suspense and paranoia, his camera peering around corners and through doorways and windows (one murder is witnessed through revolving doors). An enjoyable thriller and a must-see for Ventura fans. (kinsayder - IMDB).



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[rest77]

Le voleur d'enfants (1991) - Christian de Chalonge



Rating: 6.9/10 93 votes
Runtime: 110
Language: French
Country: France | Italy | Spain
Color: Color

Cast:
Marcello Mastroianni
Ángela Molina
Michel Piccoli
Virginie Ledoyen
Loïc Even
Nada Strancar
Cécile Pallas
Daniel Martin
Gabriele Tinti
Massimo Giuliani
Caspar Salmon
Benjamin Doat
Nicolas Carré
Adrien Canivet

Description: A sterile Argentinian colonel, living in exile in Paris with his wife, resorts to stealing poor boys off the street in order to form a makeshift family. One day a magician arrives at their home and convinces them to take in his 16 year-old daughter.



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[rest77]

Les noces rouges (1973) - Claude Chabrol



Rating: 6.9/10
Runtime: 95 min
Language: French (English subtitle .srt)
Country: France, Italy
Color: Color

Cast:
Stéphane Audran (Lucienne Delamare), Michel Piccoli (Pierre Maury), Claude Piéplu (Paul Delamare), Clotilde Joano (Clotilde Maury), Eliana De Santis (Hélène Chevalier), François Robert (Auriol), Daniel Lecourtois (Prefet), Pippo Merisi (Berthier)

Description: Synopsis
Pierre Maury and Lucienne Delamare are conducting a frenzied extra-marital affair. The intensity of their clandestine meetings is a reflection of their otherwise empty lives. Both are trapped in loveless marriages with partners they despise. Pierre’s wife Clotilde is perpetually ill and has no desire for physical contact. Lucienne’s husband, Paul, is a self-important businessman who is also deputy mayor of the local community. By killing his wife, Pierre believes he will be free to spend more time with Lucienne. However, to avoid arousing suspicion, Pierre and Lucienne are compelled to meet only during the night. Then Paul discovers his wife’s infidelity. He intends to blackmail Pierre, whom he has roped in as his mayoral assistant, to participate in a dubious land development scheme. Disgusted, Pierre and Lucienne decide to dispose of Paul…
Review
Once again, director Claude Chabrol sets about exploring the not so discrete charm of the bourgeoisie in another well-honed psychological thriller. Here the central theme is how the endless pursuit of freedom can rebound and result in ever-growing imprisonment. The characters Pierre and Lucienne find release from the shackles of their barren marriages by defying the standards of middle class respectability and acting out love making trysts in the manner of a cheap porno movie. When the obstacles to their perceived lack of freedom are removed one by one, they each find it more difficult to get together – either because they genuinely believe there is a risk of their seedy affair being discovered or, equally probably, because the excitement has begun to wane. There is a resonance with classic film noir, where the pursuit of freedom almost invariably ends with failure or disillusionment.

Whilst less intense and artistically striking than Chabrol’s earlier great thrillers of this period – Le Boucher (1969), La Femme infidèle (1969), Que la bête meure (1969), to name just three – Les Noces rouges is nonetheless just as effective as a satire of bourgeois double standards and an exploration of the darker side of human behaviour. It is possible to regard the film as a black comedy rather than a conventional thriller, and indeed the trio Pierre-Lucienne-Paul makes a far more amusing triangle than in most of Chabrol’s other films (where the triangle is a recurring motif). Part of the reason for this is Claude Piéplu’s delightfully parodied portrayal of a pompous businessman with grand political ambitions. But there are other comical elements which Chabrol uses to cleverly darken the mood (note that most other directors use comedy to lighten the mood). For one, there’s a slight comic veneer to Michel Piccoli and Stephane Audran’s performances. Their love scenes look as if they were written for a debauched sex comedy, and the scenes where they meet in public “as near strangers” to keep up appearances are irresistibly funny.

One intriguing aspect of the film is Hélène, Lucienne’s daughter. In three of Chabrol’s previous films, the character of Hélène was played by Stephane Audran and was central to the story, to a greater or lesser extent a victim of the bourgeois milieu she inhabits. In Les noces rouges, Hélène is a minor character who provides a crucial part in closing the narrative – a kind of self-appointed judge who acts with supreme innocence to restore order and harmony to a broken universe. Here, Hélène is the epitome of the bourgeois system, smug and content in her comfy middle class bubble. But she is also an angel of virtue, motivated solely by the desire to bring happiness to those around her – just like the self-righteous little politician she will inevitably become…
Source: http://filmsdefrance.com/FDF_Les_Noces_ ... 3_rev.html



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